Examining the Use of Artificial Intelligence in Music Production Among Musicians in Zimbabwe

Artificial Intelligence (AI) is increasingly influencing creative industries across the world, including the field of music production. AI-powered technologies are now being used to assist musicians and producers in composing melodies, arranging music, enhancing sound quality and simplifying various technical processes involved in digital music production. These developments are gradually transforming traditional methods of music creation by introducing new opportunities for creativity, efficiency and experimentation. Despite the growing global interest in AI-assisted music production, limited research has examined how musicians in Zimbabwe understand, access, and use these technologies in their creative practices. This study examines the use of Artificial Intelligence in music production among musicians in Zimbabwe, focusing on their level of awareness of AI tools, the ways in which these technologies are applied during the music production process and the opportunities and challenges associated with their adoption. The research will employ a qualitative case study approach guided by a constructivist research paradigm, with data collected through semi-structured interviews and focus group discussions involving music producers, recording artists and musicians, sound engineers and studio technicians, digital music producers and beat makers and music technology specialists or ICT experts. The study will include five participants from each of these categories drawn from Bulawayo, Matabeleland North and Matabeleland South in order to capture diverse perspectives from different geographical contexts. The data will be analysed using thematic analysis to identify key patterns, experiences and perceptions regarding the role of AI in music production. By focusing on the Zimbabwean context, the study aims to contribute to understanding how emerging technologies can support creative innovation while maintaining the value of human creativity in music-making.