QasidaPoetry: A World unto Itself

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Ada

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Abstract Emerging in late antiquity in Arabic, qasida poetry became a token of cultural and political prestige in societies across West, South, and Central Asia, North, West, and East Africa, and southern Europe. The form was adapted from Arabic into every language of the Islamicate world, including Persian, Ottoman Turkish, Chagatai, Hebrew, Urdu, Kurdish, Malay, Swahili, Hausa, and many more.

Wimbo wa Miti:an example of Swahili women's poetry∗

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Seeing History: Malaika Favorite's Furious Flower Poetry Quilt Painting and Pan‐African Memory

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The Popular Image of Därgue as Reflected in Amharic Folk Poetry (1974–91)

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<i>Qasida</i>Poetry: A World unto Itself

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<i>Wimbo wa Miti:</i>an example of Swahili women's poetry∗

Religious inclination of Sigwavhulimu's poetry, with special reference to <i>Tsiko-Tshiphiri</i> (1971) and <i>Mirunzi ya Vhuvha</i> (1975)

Strategic speech and sacred power: politeness and impoliteness in Yoruba <i>Ijala</i> poetry

Seeing History: Malaika Favorite's <i>Furious Flower Poetry Quilt</i> Painting and Pan‐African Memory

The Popular Image of <i>Därgue</i> as Reflected in Amharic Folk Poetry (1974–91)

Learning Wagogo ( <i>Nindo</i> ) Music: Pathway Through World Music Pedagogy