Logo Lanfrica
  • Home
  • Atlas
  • Insights
  • Docs
  • Sign in

© 2026 Lanfrica. All rights reserved. All copyrights of the resources shown on the Lanfrica website belong to the original copyright holders, unless explicitly stated otherwise.

Open Corpus for Arabic Maqam Recognition (OCMR)

Record type:

dataset
Creator:
TraSidRowEis
Publisher:
Zenodo
Host:avatar
The Open Corpus for Arabic Maqam Recognition (OCMR) is a collection of melodic pitch features and expert maqam annotations for 1,525 recordings of Arabic maqam music spanning 33 maqamat. It is released as a companion to the ISMIR 2026 paper "An Open Corpus for Arabic Maqam Recognition." No audio is included. All features are non-invertible melodic representations derived from the recordings; the corpus is intended for computational research on maqam recognition and analysis. Primary features (one file per recording, organized by maqam): pcd_tomato/ 160-bin octave-folded pitch-class distributions (PCDs) from the tomato toolbox (predominant melody + Bozkurt pitch filter), Gaussian-smoothed and L1-normalized. These are the exact features used in the paper's experiments; peak-aligning them reproduces the reported 66.20% headline accuracy. Present for all 1,525 recordings. Supplementary features (no reported result depends on them): pitch_tomato/ tomato predominant-melody f0 tracks (one Hz value per line; 0.0 = unvoiced). Present for all 1,525 recordings; each tomato PCD is computed directly from its own stream. pitch_crepe/ CREPE (full model) f0 estimates with per-frame confidence, unfiltered. Present for all 1,525 recordings. CREPE is a monophonic pitch tracker, included for extractor comparison; it is not well suited to much of this predominantly polyphonic corpus. pcd_crepe/ 160-bin PCDs recomputed from the CREPE streams. Present for 1,460 recordings; 65 low-confidence recordings (dense pop, percussion, spoken/choral material) yield a stream but too few confidently-voiced frames for a PCD.  tdms_tomato/, tdms_crepe/ 48x48 Time-Delayed Melody Surfaces (Gulati et al. 2016; makam-tuned parameters from Ganguli et al. 2022), computed from the respective pitch streams. Metadata and documentation: metadata.csv per-recording metadata: stable id, maqam, family, artist/album/track, duration, region, secondary maqamat, modulation notes, per-feature availability flags, and archival provenance for the East African 78 rpm subset annotations.json expert maqam labels (single primary annotator, co-author Layth Sidiq). algorithms.json exact algorithms and parameters for every feature. README.md overview of the corpus, file layout, and instructions for reproducing the paper's aligned-PCD results QA_REPORT.md build report: recording and class counts, per-feature coverage, and provenance matches for the East African subset SHA256SUMS SHA-256 checksums for every feature and metadata file, for verifying download integrity Feature coverage: all 1,525 recordings have the tomato PCD, tomato predominant-melody stream, tomato TDMS, and CREPE stream; 1,460 also have a CREPE PCD. Every tomato feature derives from the same per-recording pitch stream, so the PCDs and TDMS are reproducible from the released streams. Per-recording feature availability is flagged in metadata.csv. The corpus includes a subset of digitized early East African / Hadrami 78 rpm shellac recordings (His Master's Voice, Gallotone, Mzuri labels, ca. 1938-1965), contributed by co-author Andrew J. Eisenberg with archival provenance metadata. Please cite the ISMIR 2026 paper when using this dataset. Code to reproduce the experiments: github.com

Visit

doi.org

Tags

Music Information RetrievalMIRPitch-class DistributionPCDTime-Delayed Melody SurfaceCREPEArab MusicOCMRArabic MaqamMaqam Recognition+2

Licenses

Creative Commons Attribution Non Commercial 4.0 Internationalhttps://creativecommons.org/licenses/by-nc/4.0/legalcodeCopyright (C) 2026 The Authors.http://rightsstatements.org/vocab/InC/1.0/