This study explores language use and identity in Nollwood’s Funmilayo Ransome Kuti. The
study hinges on the theories of Language Vitality and Domain of Language Behaviour. The
research obtained data for the study through qualitative (content analysis of the film) method.
Findings reveal that the exclusive deployment of English, and/or its code-switched admixture
with Yoruba, within the domestic sphere—as evidenced in interactions between the protagonist
and her husband, as well as with their children—and its further deployment within the palace
setting, is suggestive of an underlying trajectory of language shift and incipient language
endangerment. However, the researcher also noticed that the use of Yoruba proverbs, Yoruba in
majority of the scenes depicts that the producer identified with his native tongue. This study
recommends that other scholars may analyse language choices in Nollywood films about
Funmilayo Ransome-Kuti by focusing on some sociolinguistic variables such as age, gender,
and education, and how they reflect social stratification.