DavidWise01/the-procession

THE PROCESSION - one clock, three voices played TOGETHER: the lyre (LIMEN/Sappho line), the two-tone (binary) Kele drum, and the three-tone (ternary) Yoruba dundun - toggleable layers over a shared step transport, through the ternary echo. Binary + ternary + the lyric line, sounding at once. ROOT0. # THE PROCESSION · PRO > A sphere of **UD0** — the ROOT0 universe / biosphere. Domain: **HERMES**. THE PROCESSION (PRO) — the communication-music family sounding at once: one clock, ten voices played TOGETHER — but each is its OWN config box with a WORD input, enciphering that word in its own way and at its own speed, angle & volume, all through the ternary echo. The LYRE carries the line (the voice of [[sappho]] & [[pulse]]/LIMEN, a pentatonic figure); under it the TWO-TONE drum keeps the binary pulse (low 0 · high 1, the Kele code of [[talking-drum]]); and the DÙNDÚN talks in three tones (high·mid·low, the ternary [[talking-drum-dundun]], ~1.58 bits a beat), with the BÀTÁ answering in sharp ciphered strokes (the [[talking-drum-bata]]). Binary, ternary, the cipher, and the lyric line, a LAYERED CIPHER split by sound & style: type a word per box and the lyre turns letters into a pentatonic line, the dùndún reads gliding Yorùbá tones, the bàtá runs the real ẹ̀nà vowel-echo cipher, the drum renders binary (vowel 1 / consonant 0), and the ultrasonic flings the word past the hearing line as near-ultrasonic FSK ([[cipher-ultrasonic]]), and the keystroke leaks it as per-char key-clicks (the side-channel, [[cipher-side-channels]]), and the fan hums it off an air-gapped box as blade-pass FSK ([[cipher-air-gap]]), and the adversarial rides it on a 20 kHz carrier only a machine hears ([[cipher-adversarial]]), and the numbers station reads it as five-digit OTP groups ([[cipher-numbers-stations]]), and the glowworm recovers it from a flickering LED ([[glowworm]]) — each muted, sped, and panned independently. The whole six-paper cipher series, sounding at once. Two-layer HONEST: the binary Kele contour (Carrington via Gleick), the ternary Yorùbá dùndún (R ≥ 0.98), and the Sapphic/LIMEN line are each real, and the voices are live Web-Audio synthesis; the patterns and the way the three are stacked into one ensemble are ROOT0's arrangement — a study of the family playing together …