QasidaPoetry: A World unto Itself

Type de record:

paper

Créateur:

Ada

Éditeur:

Hôte:

Abstract Emerging in late antiquity in Arabic, qasida poetry became a token of cultural and political prestige in societies across West, South, and Central Asia, North, West, and East Africa, and southern Europe. The form was adapted from Arabic into every language of the Islamicate world, including Persian, Ottoman Turkish, Chagatai, Hebrew, Urdu, Kurdish, Malay, Swahili, Hausa, and many more.

Wimbo wa Miti:an example of Swahili women's poetry∗

Religious inclination of Sigwavhulimu's poetry, with special reference to Tsiko-Tshiphiri (1971) and Mirunzi ya Vhuvha (1975)

Strategic speech and sacred power: politeness and impoliteness in Yoruba Ijala poetry

Seeing History: Malaika Favorite's Furious Flower Poetry Quilt Painting and Pan‐African Memory

Abstract Malaika Favorite's Furious Flower Poetry Quilt (2004) is an acrylic painting that depict

The Popular Image of Därgue as Reflected in Amharic Folk Poetry (1974–91)

Abstract The popular image of governments that rise and demise is determined by the

Learning Wagogo ( Nindo ) Music: Pathway Through World Music Pedagogy

In East Africa, Tanzania’s musical expressions are rich and varied, and typically a combination of m

<i>Qasida</i>Poetry: A World unto Itself

Type de record:

Visit

Languages

Licenses

Similaires

<i>Wimbo wa Miti:</i>an example of Swahili women's poetry∗

Religious inclination of Sigwavhulimu's poetry, with special reference to <i>Tsiko-Tshiphiri</i> (1971) and <i>Mirunzi ya Vhuvha</i> (1975)

Strategic speech and sacred power: politeness and impoliteness in Yoruba <i>Ijala</i> poetry

Seeing History: Malaika Favorite's <i>Furious Flower Poetry Quilt</i> Painting and Pan‐African Memory

The Popular Image of <i>Därgue</i> as Reflected in Amharic Folk Poetry (1974–91)

Learning Wagogo ( <i>Nindo</i> ) Music: Pathway Through World Music Pedagogy