Studies of Gender and Popular Music in Africa

Abstract This chapter examines post-2000 scholarship on gendered representations in African popular music from scholars based both in Africa and in the West. The authors explore the historical and geographical development of contemporary scholarship on the topic, and the voices and scholarly spaces that have often been centered. Numerous studies approach gender and popular music from interdisciplinary fields, such as African studies, women’s studies, and cultural studies. Methods often employed in these studies include textual analysis of song lyrics, and, predominantly, ethnographies to understand performers, performance spaces, and audiences. The authors also discuss the power dynamics of researchers and their interactions with the local African communities they work with. In addition, the authors focus on questions of access and inclusion of African based scholars and institutes.