This article is the dissemination of an investigation of the
Pedi tradition of Thanksgiving Songs that continued in spite of all cultural
suppression. This article discusses the form, content and functions of Pedi
Thanksgiving Songs as guided by the research questions and hypothesis of the study.
Content is discussed with reference to African indigenous knowledge about what a
‘human-musical product’ entails in the African world view. It is a creative-artistic
content informed by human, philosophical, artistic, spiritual, socio-contextual, and
health perspectives indigenous to Africa. The particular Pedi Thanksgiving Song
discussed here serves as an example and/or representation of the general African
traditional perspective of musical practice and creativity. Specifically, the study
attempts to establish the reality that music making is not restricted to organized
sound only; it also includes a symbolic expression of a social and cultural
organization, which reflects the values, the past and present ways of life of human
beings.