Logo Lanfrica
  • Accueil
  • Atlas
  • Analyses
  • Documentation
  • Sign in

© 2026 Lanfrica. Tous droits réservés. Tous les droits d'auteur des ressources affichées sur le site Web Lanfrica appartiennent aux détenteurs de droits d'auteur d'origine, sauf indication contraire explicite.

The Cultural Role of Tsonga Beer-Drink Music

Créateur:
Tho
Éditeur:
Cam
Hôte:
Of seven distinct bodies of vocal music and one body of instrumental music recognized and separately classified by the Tsonga of Mozambique and the Northern Transvaal, beer-drink music is the most often performed and comprises about 40% of the total folksong repertoire of about five hundred items (Figure 1). The other musical styles are exorcism music, girls’ initiation music, children's songs, solo instrumental music, boys’ drumming school music, and circumcision school music (Figure 2). The order given reflects the estimated man-hours of performance (the circumcision school is organized only every four or five years), and it coincides roughly with sample rankings obtained from informants during the period 1968–70. Variations of the ranking were some women's claim that girls’ initiation music is more important than exorcism music, and some men's claim that muchongolo (the national dance performed at beer-drinks) is more important than beer-songs or any other single category.

Visit

doi.org

Languages

Tsonga

Licenses

https://www.cambridge.org/core/terms

Similaires

Musical Instruments and Practices of the Tsonga Beer-DrinkThe Role of Music in Shangana-Tsonga Social InstitutionsXizambi friction-bow music of the Shangana-Tsonga

Musical Instruments and Practices of the Tsonga Beer-Drink

This article examines the musical and social functions of various instru ments found in the context

The Role of Music in Shangana-Tsonga Social Institutions

Xizambi friction-bow music of the Shangana-Tsonga