The Nairobi Tradition of Literature

I Have Taught Literature at the University Of Nairobi Since 2009. Previously, I Taught at Masinde Muliro University and at Moi University. From my experience at the three universities, I can trace, in hindsight, two dominant influences on my knowledge of literature and expectations of how it ought to be conceived and taught. First is my graduate training at Moi University, in Kenya, and at the University of the Witwatersrand, in South Africa, where I was encouraged to see literature as a broad discipline that speaks to others in the humanities and in the social and natural sciences in terms of concerns, research methodology, and, especially, analytic tools. The second influence is the academic composition and orientation of the literature departments, as shaped by the politics of development. In the face of two competing forces—on the one hand, the Kenyan government and its preoccupation with development as an ideal and a pretext for de-emphasizing the teaching of some humanities disciplines and, on the other, the neoliberal political economy that gave rise to nongovernmental organizations' setting the scholarship research agenda in Kenya—literary academics seemed to be torn three ways: using the discipline and their knowledge of it to position themselves for government appointments, pursuing nongovernmental-organizations-funded research, or continuing to teach literature in the ways that they know. Those who chose the third option were also equipped with an institutional memory of the discipline as they were taught, the department, and its practices. Because, of these three groups, I have interacted the most with members of the third, my reflections here focus on them exclusively.