Better known for her work as a novelist, Zora Neale Hurston could be, according to an essay by Gloria Gibson, the first African-American woman filmmaker. The film footage, which includes Children’s Games (1928), Logging (1928), and Baptism (1929), appears to be from her work as a student of anthropology under the tutelage of famed anthropologist, professor and mentor, Dr. Franz Boas. A graduate of Barnard College and a Guggenheim fellow, Hurston traveled to back to a South similar to her hometown of Eatonville, Florida to capture a variety of short takes of African-American life. Ethnographic in nature, the films reflect a focus of folklorists of that time period who believed that “…cultural performance and beliefs must be expeditiously collected and documented because they would soon be gone forever” (Gibson, 205).